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A sweet little piece of Dutch nostalgia, this vintage Elesva Holland Delft-style bell is painted in classic cobalt blue and white, with a windmill scene wrapped around its gently flared porcelain form.
Turn it around and you’ll find a pretty leafy motif on the reverse, while the glossy blue handle echoes the rich Delft blue throughout.
Marked Elesva Holland 829 on the base with an estimated vintage of mid 1960s, it has all the quaint character of a little Holland souvenir, made to be admired from every angle.
It feels right at home amongst a collection of blue and white ceramics, tucked onto a shelf, or sitting pretty on a bedside table.
The bell interior has a working white glass clapper set quite high up the string, producing a charming jingle with a firm swing.
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This gorgeous set of four vintage amber glass tumblers dates to around the 1970s, with a groovy silhouette that feels straight out of a mid-century cocktail party.
Each glass features a warm honey-amber tone, gently flared rim, cinched waist and brown-amber base, giving them a satisfying presence in the hand and a beautiful play of colour when filled.
Their curvy shape makes them equally lovely for cocktails, wine, water or whatever happens to be poured at golden hour, while the rich amber glass looks especially dreamy catching the afternoon sun.
A lovely set for a retro-inspired table, and the sort of glasses that make even a humble drink feel like an occasion.
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This striking vintage vase features a tall, slender silhouette in translucent amethyst purple glass, with a flared rim. The colour deepens towards the base, where an intricate crackle glass effect creates a beautiful network of organic lines.
Estimated to date from the 1960s–1970s, this handblown vase is typical of the mid-century to early retro era. Similar amethyst crackle glass vases with ruffled rims were produced by American glassmakers during this period.
Beautiful displayed on its own or filled with long-stemmed flowers or foliage, it makes a distinctive addition to a mantel, sideboard, bookshelf or vintage dressing table.
A lovely find for collectors and lovers of vintage glassware, coloured glass and sculptural homewares.
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A gorgeous piece of vintage tableware with all the earthy charm of 1970s stoneware. This double condiment server features two lidded compartments in a warm two-tone glaze and high-gloss finish that beautifully highlights its rounded, chunky form.
Each compartment has its own matching domed lid with finial handle, allowing two different condiments to be kept covered and served together. It 's perfect for sugar, jam, cream, honey, mustard, relish and chutney, or simply displaying as a characterful piece of vintage kitchenware.
The style is strongly reminiscent of the brown and tan stoneware produced in Taiwan during the 1970s, with similar double condiment servers from this period appearing in the vintage stoneware market.
A charming addition to a farmhouse or cottage kitchen, this classic server was sourced from Holbrook in rural NSW, known as Australia's "Submarine Town" because a portion of the decommissioned Oberon-class submarine HMAS Otway is permanently installed in the local park.
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This striking handmade heron from 1988 channels Miami glamour with its elegantly curved neck and sweeping feathered body, finished in a dramatic black glaze.
Marked “PAM 23.9-1988”, the carved underside adds provenance to this one-of-a-kind vintage find, giving Art Deco vibes with its sculptural silhouette and glossy finish.
Sourced from Wagga Wagga in the Riverina region of New South Wales, this statement piece has plenty of personality and looks fabulous displayed on a console, bookshelf or retro bar cart.
A beautiful choice for anyone who loves 1980s interiors, retro resort style and unique ceramics.
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An unusual piece of vintage studio pottery, this handmade ceramic clog is decorated with incised botanical motifs beneath a rich teal-green glaze.
Turn it over and you'll find the hand-written inscription "Handmade especially for you 1981", giving this quirky little piece a personal history.
It’s approximately 45 years old and appears to be the work of an independent studio potter or ceramic artist. At the time of writing, no similar designs exist anywhere online in Australia.
The open interior could be used as a small planter or simply enjoyed as a sculptural, retro-style piece of vintage ceramic art.
A genuinely rare and wonderfully fun piece of 1980s handmade pottery.
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A beautiful vintage-style ceramic trinket box featuring delicate Capodimonte-inspired flowers on a glossy white lid and a blush pink base.
Perfect for storing rings, earrings or other treasured keepsakes, it also makes a lovely wedding ring holder, adding a romantic touch to a dressing table, bedside or vanity.
Its floral design complements cottagecore and country chic décor, making it both a practical storage piece and an elegant decorative accent.
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A beautiful vintage ceramic urn vase featuring a softly mottled cream glaze, deep forest-green glazed rim and pink floral transfer with muted green foliage.
The vase is believed to be Japanese, dating to around the 1950s–1960s. Its distinctive ombré glaze, urn-shaped form and botanical decoration are characteristic of Japanese ceramics produced for export during the mid-century period.
Watertight and endlessly functional, it’s a lovely blend of nostalgic cottage styling and practical everyday use.
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A wonderfully sculptural piece of vintage glass, this oversized apple-shaped serving bowl is believed to date to the 1970s and is attributed to the much-loved Ravenhead Siesta range, produced in England.
Its generous proportions, distinctive angled stem and beautifully textured bark-effect glass closely match examples from the collection, making it a lovely representative of the playful yet practical design that defined the era.
Whether piled high with fresh fruit, displayed on a coffee table or simply left empty to catch the afternoon light, it's one of those pieces that earns its place all on its own.
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Believed to be Duncan Enterprises, this pair of iridescent ceramic tulip goblets features a soft ivory pearl glaze with a subtle rainbow lustre. Their sculptural tulip shape and pedestal base are classic late 1970s to early 1980s design, making them just as lovely on display as they are in use.
Perfect for serving wine, cocktails or decadent desserts, they're equally suited to a vintage bar cart, open shelving or a beautifully styled wedding table. While the original maker's label is no longer present, the attribution to Duncan Enterprises is based on their distinctive design, ceramic construction and characteristic pearlescent glaze.
Founded in 1946 by Erma Duncan in her Fresno, California garage, Duncan Enterprises grew from a local ceramic studio and glaze manufacturer into a global leader in ceramic arts, supplying hobbyists, studios and major retailers over four generations.
A rare set you'll reach for whenever the occasion calls for something a little more spesh.
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Bring a giggle to your morning coffee with this wonderfully quirky Pretty Ugly Pottery face mug. Handcrafted in Wales, UK, this charming vintage stoneware mug features the brand’s signature expressive face with befuddled gaze. The warm speckled glaze gives it a rustic, earthy feel that suits both vintage and contemporary homes.
Stamped on the base “Made by Pretty Ugly Pottery, Wales”, this piece is estimated to date from the late 1970s to 1980s. Pretty Ugly Pottery became well known for its whimsical handmade character mugs and jugs, with no two pieces exactly alike. Their distinctive folk-art style has since become highly collectable, particularly among lovers of British studio pottery and unique vintage ceramics.
While it makes a fantastic coffee or tea mug, it’s equally at home as a quirky pen holder on your desk, a small planter for a succulent, or simply displayed as a conversation-starting piece on a shelf.
Whether you’re adding to a collection or searching for an unusual gift, this delightfully perplexed face is guaranteed to stand out wherever it worries.
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This matching set of four Jersey Pottery earthenware coffee mugs showcases the craftsmanship that made the iconic Channel Islands pottery famous. Each hand-finished mug features a distinctive geometric band around the base, giving the set an earthy, bohemian-inspired charm.
Founded in 1946, Jersey Pottery was established by brothers Charles and William Potter in Gorey Village on the island of Jersey, the largest of the Channel Islands—a British Crown Dependency in the English Channel, just off the coast of Normandy, France.
Decorative pottery production had been banned in mainland Britain during the Second World War to conserve vital raw materials, redirect labour to the war effort and maximise factory efficiency. Because these restrictions did not apply in Jersey, the brothers recognised a rare opportunity to establish a British pottery on the island, laying the foundations for what would become one of the Channel Islands' most celebrated ceramics brands.
Production was gradually moved to England during the 2000s before manufacturing at the original Gorey pottery ceased. After years of increasing overseas competition, the pottery finally closed in 2020 following the challenges of the pandemic. While ceramic production has ended, the company's restaurants, first established at the pottery site during the 1960s, continue to thrive on Jersey today.
Matching sets have become increasingly difficult to find since production ceased, making this a wonderful addition for collectors of British studio pottery or anyone who appreciates unique ceramics with a story to tell.
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This vintage glass shell bowl captures the romance of the sea in sculptural form. Pressed from heavy clear glass with beautifully textured ribbing that catches and scatters the light, it rests on three integrated feet for a perfectly balanced base.
While flat shell plates are wonderfully abundant in the vintage world, large footed shell bowls of this size and depth are harder to come by.
This piece is likely European in origin, dating to the late 1970s or 1980s. While unmarked, it shares many characteristics with pressed glass produced by makers such as Walther Glass in Germany or similar Italian and French manufacturers of the era.
Perfect as a fruit, salad or seafood bowl, it also makes a wonderful catchall on an entry console for keys and sunglasses. For the entertainers, fill it with citrus, oysters on ice, or floating candles for effortless coastal styling.
Its clear glass glows beautifully in natural light, capturing the rippled texture of sparkling waves. Whether your style leans Palm Beach or Hollywood Regency, this is one of those pieces that slips effortlessly into a home as though it was always there.
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An elegant piece of hand-blown art glass, this amber bell likely dates to the 1960s or 1970s. Its clean, sculptural silhouette, warm honey-amber colouring, and elongated clear handle reflect designs popular during the mid-20th century.
The bell is formed from amber glass with a suspended chain clapper. Small air bubbles within the handle and subtle variations in the glass reveal its handmade character, while the rich amber tone glows beautifully when displayed near natural light.
Although unmarked, the piece bears similarities to decorative glass produced in Scandinavia and the Empoli region of Italy during the mid-century period.
Whether styled on a bookshelf, cabinet, or alongside a collection of vintage art glass, it stands comfortably as both a decorative object and a functional bell.
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Celebrate treasured memories with this vintage photo frame by RM Italia Designs. Handmade and finished in a soft ivory hue, the frame features an oval photo opening surrounded by delicate scrollwork, hand-sculpted roses and a pair of doves nestled at the base.
Estimated to date from the 1980s to 1990s, this decorative frame reflects the romantic home décor trends of the late twentieth century. It is believed to be crafted from hand-cast resin or a composite stone-resin blend, allowing for the intricate detailing seen throughout the design.
The elegant ivory colouring and artisan finish give it a timeless appeal that suits cottagecore, Victorian and vintage-inspired interiors alike.
Whether displayed on a bedside table, bookshelf or mantelpiece, this hard-to-find vintage delight brings the romance of yesteryear to any room.
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With its sweeping loop handle, ribbed shell-like detailing and distinctive marbled glaze in mint green and rose-brown tones, this vintage basket vase is a beautiful example of Australian mid-century pottery.
Based on its form, glaze and the remnants of the original foil label, this piece is believed to have been produced by Casey Ware, a popular Australian pottery maker active from the 1940s through to the 1960s. Basket vases were among the company's most recognisable decorative pieces, and this example showcases the rich flowing glazes and sculptural styling that made Casey Ware a favourite in Australian homes.
The glaze varies across the surface, creating a unique pattern that ensures no two pieces are exactly alike. Whether displayed with dried flowers or styled as a standalone decorative object, it brings plenty of character to a shelf, sideboard or cabinet.
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This striking amber glass canister is a beautiful example of retro glassware, likely dating to the 1960s or 1970s. Though unmarked, its rich honey-amber colouring and sculptural wave pattern are strongly reminiscent of mid-century pressed glass designs produced across the United States and Europe during the era, when warm-toned glassware became a staple in stylish kitchens and entertaining spaces.
Both decorative and practical, this versatile lidded dish could be used to store wrapped sweets, jewellery, cotton pads, trinkets, potpourri or treasured keepsakes. It also makes a lovely standalone display piece, styled on a vanity, coffee table, bar cart or open shelving.
The wave-like texture gives a wonderfully tactile feel and adds movement to the glass, while the matching lid with its rounded finial completes the retro silhouette.
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This vintage stoneware mug-style vase has that quiet, lived-in charm that instantly makes a space feel more considered. Hand-thrown in a speckled, earthy clay, it features a soft neutral glaze finished with a hand-painted blue leaf motif.
The shape sits somewhere between a tankard and a small jug, making it just as suited to a few fresh stems on the bench as it is styled on its own.
Turn it over and you’ll find an impressed maker’s mark, partially softened by the firing process. It appears to be a simple monogram or studio stamp, and while it isn’t identifiable to a specific maker, it’s typical of small-batch studio pottery where individual potters used their own hand-carved marks.
Based on its form, glaze and decoration, this piece likely dates to the late 1970s through to the early 1990s, with strong ties to either Australian or British studio pottery from that era.
There’s a warmth and honesty to this stoneware beauty that you rarely find with newer pieces.
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A sweet little pairing, this set of two vintage miniature tea cups features florals in soft yellow and lilac. Their petite scale and gently rounded shape give them that unmistakable demitasse charm, designed for smaller pours.
Based on the floral motif, porcelain finish, and overall form, these are likely mid-century pieces, most commonly produced for export from Japan in the 1950s to 1960s.
While originally intended for serving espresso or tea, their versatility is where they really shine… Sweet additions to imaginative play for older children, pinch pots for salt, pepper, and spices in the kitchen, or displayed on a sunny windowsill with tiny succulents.
They would also serve beautifully as a bedside table trinket dish for rings and earrings, or styled on open shelving amongst other vintage collectables.
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This vintage ceramic is the kind of piece that makes everyday rituals feel more considered. With a glazed finish, it features a softly rounded teapot silhouette with warm caramel-toned edging and a hand-painted floral centre in buttery yellows and muted greens.
The underside appears to be signed “Pam”, suggesting it was likely made by an individual ceramicist or small studio. Pieces like this were especially popular across Australia and the UK in the 1970s–1980s, when homewares leaned into hand-finished details and decorative, kitchen-friendly forms.
Originally intended as a teabag holder, it’s perfectly sized to catch drips beside your cup. It also lends itself beautifully to other uses around the home. Think a spoon rest while cooking, a ring dish by the sink or bedside, or a small catch-all for jewellery bits and pieces.
A thoughtful find for high tea lovers, collectors of retro ceramics, or anyone drawn to practical pretties of decades past.
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A nostalgic nod to retro interiors, this sand-filled but water-tight glass brings colour and character to any bar cart. Crafted in a brandy-style glass, it features distinct horizontal layers of coloured sand in warm, earthy tones, creating a softly textured striped pattern that feels unmistakably 1970s.
Each band of sand is carefully encased within the glass, forming a striking design that adds visual interest from every angle. Similar sand art pieces point to Queensland origins, making it a charming collectible with Australiana history.
A one-of-a-kind find that stands confidently as a decorative object on its own, this piece is also wonderfully versatile. Style it as a pen holder on your desk, or add a small plant and place it on a windowsill for an easy, retro-inspired display.
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Shaped like a Venetian gondola, this antique George Davidson pressed glass bowl was crafted in England in the late Victorian period and features the highly collectible War of the Roses pattern. Its flowing lines and botanical detailing reflect the emerging Art Nouveau movement, bringing a sense of softness and romance to the piece.
Perched on hobnail feet, the boat-shaped bowl feels both delicate and well-grounded, sitting comfortably styled on a shelf, coffee table or vanity.
The registered design number Rd 212684 is marked on the base, confirming its authenticity as a piece produced by George Davidson, one of Britain’s most respected glassmakers of the time.
This design originated within Davidson’s Pearline range, produced between 1889 and 1914. While Pearline examples are typically found in coloured opalescent glass, this clear pressed glass version offers a more understated and versatile look that pairs beautifully with both modern and vintage interiors.
Whether styled as a centrepiece, used to hold jewellery or simply admired for its distinctive form, this is a piece with history, character and quiet elegance.
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A statement piece with coastal charm, this vintage amber glass bowl is formed in a striking shell silhouette, complete with playful prawn and crab detailing.
Crafted from thick, sturdy pressed glass, the sculptural clam design has a beautiful weight and golden warmth, likely produced in the mid-20th century from the 1950s to 1970s, when pressed glass designs embraced bold textures and decorative forms.
The fan-like symmetry and stylised patterning also nod to earlier Art Deco influences, where geometric repetition and nature-inspired motifs were widely explored in pressed glass design during the 1930s.
Whether styled as a centrepiece, fruit bowl or seafood serving dish, it suits both retro interiors and coastal or beach-inspired homes with ease.
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This charming vintage duo features hand-applied Capodimonte-style roses in soft blush tones, delicately framed by glossy brown leaves against ivory porcelain. The sculptural floral detailing gives the set beautiful depth and texture, while the gently scalloped rim and warm caramel-toned edging add that unmistakable mid-century sweetness.
Made in Japan and estimated to date to the 1950s–1960s, this set reflects the era when Japanese porcelain makers were producing exquisite export wares with European-inspired detailing.
Originally designed as a sugar pot and creamer, these beauties are just as lovely styled beyond the tea tray as pen holders, toothbrush holders, or vases. The sculpted pink roses make each piece feel almost like porcelain jewellery — decorative, tactile and completely unique.
A sweet little set that would be equally at home in a vintage kitchen, or gifted to lovers of florals and cottage décor.
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Soft, nostalgic, and quietly charming, this vintage ceramic vase features a delicate spray of pastel blue florals set against a gentle ombré glaze that fades from cornflower blue into creamy white. Its smooth cylindrical silhouette gives it a clean, versatile look, while the sweet botanical motif adds a touch of cottage-inspired warmth.
Likely produced during the late 1970s to early 1980s, this piece reflects the era’s love of romantic floral ceramics and soft gradient glazing.
Perfect for displaying fresh garden stems, dried florals, or even standing on its own as a decorative accent, this piece is also surprisingly practical. Its sturdy, wide shape makes it ideal for organising kitchen utensils beside the stove, keeping wooden spoons, spatulas, and whisks neatly within reach.
A lovely blend of decorative and functional, this is the kind of piece that feels instantly at home wherever it’s placed.
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This tall vintage ceramic toilet roll holder pairs practical storage with nostalgic decorative appeal. With a gently flared base and matching lid, it features a glossy ombré glaze that transitions from deep burgundy at the top into a soft creamy white base. A floral transfer adds a homely character that reflects the coordinated ceramic bathroom accessories popular in the late 1970s to early 1980s.
Beyond its primary purpose, this versatile tower can also be used as an umbrella stand by the front door, offering a sweet storage solution for rainy days. It may also be styled as a floor-standing vase, filled with fresh blooms or dried arrangements to create a warm decorative accent in any room.
It comfortably holds four double-length toilet rolls, keeping spares discreetly stored. There are no comparable vintage ceramic toilet roll holders currently available anywhere online, making this a genuinely special find for collectors.
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This set of four porcelain place cards shaped like miniature baskets and finished with softly raised floral details was likely made between the 1940s and 1960s, when beautifully styled table settings and personalised place cards were a staple of celebrations and dinner parties. Their creamy glazed porcelain and gentle pastel colouring give them that unmistakable mid-century charm.
Each piece has a glazed surface that allows you to write directly onto it. Simply use a chalk marker or whiteboard-style dry erase marker to add guest names, menu notes or table numbers. When your event is finished, wipe clean with a soft damp cloth and they are ready to be used again.
Perfect for bridal showers, weddings, baby showers, high teas, birthday lunches, and intimate dinner parties, they also work beautifully for buffet or grazing tables, dessert displays, or gift tables where you might want to label dishes or share little notes with guests.
When they’re not being used for hosting, they double as charming decorative pieces styled on open shelving, in a china cabinet, or as part of a seasonal table setting.
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Finished in a soft milky glaze over hand-painted eucalyptus motifs, this stoneware ceramic vase shows the gentle irregularities that make studio pottery so appealing. The slightly flared rim and solid weight give it a reassuring, well-balanced feel in the hand, and a subtle glaze highlights the texture of the stoneware rather than overpowering it.
On the base, a mystery maker’s mark appears alongside the letters “MLC” and the date “’95”. While the maker remains unknown, the impression and date point to a small-batch or studio piece, adding to its character and quiet collectability.
It works beautifully as a vase for fresh or dried flowers, and its sturdy form makes it a practical utensil holder by the stove, ideal for wooden spoons, whisks, and everyday kitchen tools to keep within reach.
A versatile, honest piece that suits country kitchens, vintage-inspired homes, or calm, lived-in interiors. Useful, tactile, and full of Australiana nostalgia.
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This vintage chip and dip serving platter is crafted in earthy stoneware with an oval form, featuring an integrated dip bowl and softly mottled glaze in warm clay, oat and ash tones. Subtle brushwork and pooling in the glaze give it a painterly, almost abstract quality, framed by a darker rim.
Based on the glaze style, form and overall finish, this piece is likely to date from the late 1970s to early 1990s, a period when studio pottery and handmade stoneware were especially popular for everyday serving ware.
Perfect for chips and dip, crudités, olives, or bread and oils, it also works beautifully as a grazing platter. The integrated bowl keeps things tidy and makes it ideal for entertaining without extra dishes cluttering the table.
Whether you’re hosting a dinner party or devouring guac in your trackies, this nostalgic piece brings yesteryear’s memories to today’s table.
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A sweet little piece of 1980s British kitchenware, this vintage Marks & Spencer “Field Flowers” triple spoon rest is made from glossy melamine and decorated with autumnal orange, yellow and white wildflowers.
The three generously shaped rests are designed to keep cooking spoons, serving utensils and other kitchen companions neatly separated, while a small hole at the top edge allows it to be hung on a wall for display purposes.
A practical little relic from the era when even the kitchen essentials were designed to be pretty.
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